I have watched Gone Girl twice now. Once as a thriller and once as a drama. Needless to say, it passed both the tests with flying colors. Gone Girl is not a movie for the faint-hearted, which should be palpable from the movies Fincher has given us the privilege of watching in the past (Se7en, The Girl With The Dragon Tattoo, Zodiac). It is as much as a character study with the disintegration of a marriage as the stimulus and a complex criminal case.
Rosamund Pike is brilliant (or should I say amazing) in this movie, playing her character with a flair which I think can only be emulated by Carrie Ann-Moss. Ben Affleck is stupendous as Nick and so is Carrie Coon as his sister, Margo.
This movie is fabulous and here’s why :-
1.Representation of media :-
One of the main focus of the plot is on how media molds incorrect public opinions. The reason why it becomes impossible for Nick to get justice is because of the media’s shameful eagerness to ostracize and sham any individual for ratings. Many have criticized this movie as anti-feminist, however this very thought shows how correct this movie is. No one is talking about Nick getting wronged. It is a brilliant take on how on the surge of the noble feminist movement (which I wholly support), the media so as to cash in on anything of relevance, has begun masquerading as staunch feminists. I think it would have been okay even if within those fake masks they were hiding misandrist tendencies, but these assholes are in it just for the money and this finds an unabashed portrayal in Gone Girl.
2. Structure of the plot :-
David Fincher smacks us right on the face with his unreliable narrative. This is true film-making genius because the narrative remains the same, however the reliability of the narrator changes throughout the movie. The plot isn’t at all black-and-white, it’s all grey. All the characters are at fault here, yet in the end, Fincher makes us you still sympathize with one. THAT’S DIRECTING !
3.Rosamund Pike :-
Brilliant. Just wanted to say that again
Gone Girl is exactly the kind of script I would want on my table if I was a director. There are enough twists and turns to engage the audience for its run-time, and more than that, the intrigue stems off from the deceit and dual-nature of the characters, just like Game Of Thrones. It has some really funny one-liners, but what I found the most impressive is the fact that the writer exerted her control. Most of thrillers nowadays pick up on one fascinating thread and bind it with various unnecessary ones. In Gone Girl, the plot is compact, fast-paced and intelligent. The end of the movie is absolutely perfect, as if holding a mirror to realities of male-shaming by mislead misandrists and the frailties of modern marriages. And if you argue that this movie is anti-feminist, I have a pretty good case for Room being anti-meninist.
Gone Girl is a stupendous movie, which has enough twist and turns to engage you through the course of its run time and enough character revelations to engage you for your lifetime.
RATING :- 9. 3 / 10
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