My Thoughts On Pan’s Labyrinth

I have had my fair share of criticisms on this blog, most of them legitimate considering how maladroit my writing was in the early stages, but from the ones which hold ground even now, the one which perturbs me the most is my inconsistency. And if I say it’s because I don’t get enough time to watch movies and write about them, I would be lying because for the past couple of months, I have went through hundreds of them. Yet when I try to garner my thoughts on the majority of them, I find myself at a loss of words. I find myself in the same state John Green aptly described ‘My thoughts are stars I cannot fathom into constellations’. After much deliberation, I have come to the conclusion that I can only write about a movie when I either love it or hate it. No middle ground.

And here’s a diabolic gem from Guillermo Del Toro which reminds me why I picked up a pen consciously in the first place. I remember it was to write a short story about me saving Hermione Granger, my first literary and on-screen crush, from Death Eaters and in the end, getting to first base with her in the Room Of Requirement. As I look back upon it now, I find it to be an abhorrent work of both fantasy and erotica. But in it, I see something that was truly me at that time, a work which is truly original even though all its characters were not.

I believe that is why Pan’s Labyrinth is a masterpiece of its own league. After watching it, those same emotions which formed ranks and hurled themselves against the ramparts of my inhibitions a long time ago seemed to resurface with the same vigor. Its tale follows the soul of the princess of a distant past making her body of the present come in terms with her destiny in the midst of a macabre no child should hold witness to.

Unlike other fairy tales which shield even their evils in a graceful manner so as to not tarnish the minds of the young, Pan’s Labyrinth is as vile and violent and twisted as one can possibly imagine. The tales of the three tasks the protagonist Ofella has to undertake run in parallel with conflicts between Falangist soldiers and republican rebels, gradually morphing into one.

Del Toro excellently gives equal gravitas to both these tales, in a way in which we are invested in both and never out of touch in any. The creatures which inhabit the abhorrent worlds Del Toro crafts reek of creative genius, characters which are so familiar in their actions but so distinctive in their appearances that this movie turns out to be one of those rare works where one could happily watch with the sound turned off, just for the joy of how it looks.

I envy those who will watch this movie for the first time. And even more if they have just happened to hit the brink of puberty. The boundless imagination this movie will set free within them is the true magic which exists in this world. One which we all can hopefully find and believe in if we care to look for it a bit closely.

Always remember dear reader, no one ever grows old enough for fairy tales. In all my wisdom, I can say with unwavering confidence, that they seemingly grow old enough for their readers to love and learn.

RATING :- 9.5 / 10

THANKS FOR READING. IF YOU HAVE LIKED/HAVE DIFFERENT VIEWS / HAVE ANY  DOUBTS, PLEASE SHARE. I WILL RESPOND TO IT AS SOON AS I CAN. AND PLEASE SUBSCRIBE FOR MORE. YOU CAN FOLLOW ME ON MY FACEBOOK PAGE TOO https://www.facebook.com/profile.php?id=100011549616628 YOU CAN ALSO E-MAIL ME ON castlebang786@gmail.com OR favebook2011@rediffmail.com

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Copyright : All written content on this site, unless otherwise noted, has been created by the website owner. As such, the content is the property of the website owner. This content is protected by Indian and international copyright laws. If you wish to reproduce, re-post, or display any of our content on your own site please only do so if you also provide a link back to the source page on this website and properly attribute authorship. Our preference is that you seek our permission before doing so. If you see anything on this website that has not been properly attributed to its originator please contact me. In response, I will attempt to correct the attribution of the offending material or remove and/or replace it. All material on this website is posted in accordance with the limitations set forward by the Information Technology Act, 2000. If a documented copyright owner so requests, their material will be removed from published display, although the author reserves the right to provide linkage to that material or to a source for that material. As a website devoted to discussing and reviewing movies and television I will at times, for illustrative purposes, present copyrighted material, the use of which might not always be specifically authorized by the copyright owner. Such material is made available  for purposes such as criticism, comment, and research. The website owner believes that this constitutes a “fair use” of any such copyrighted material because the articles published on this website are distributed for entertainment purposes

 

 

 

 

E.T.The Extra Terrestrial Review

In the climax of The Great Dictator, Charlie Chaplin delivers what can be easily considered as the greatest monologue in cinematic history. There is a sentence from that great speech which reverberated in my mind after I watched E.T. – ‘We think too much and feel too little.’ Maybe all the nasty opinions of this movie can be summarized by these words of Chaplin.

E.T.The Extra Terrestrial is about a troubled child who finds an alien out in the woods, and then decides to help it return home. The alien in question is a hideous creature which would scare the living daylights out of any child, but that is Spielberg’s gamble, for this is a man who understands what it is to be a child and what it is to truly love.

Steven Spielberg has been a maverick magician of his own league. While his colleagues attracted universal acclaim with their hard-edged, serious, mature work, Spielberg won the world over with his childish vision. Maybe, this has proved detrimental in the long run for him to be considered one of the greatest in this world of art. But there is no denying, without Spielberg, I would have never loved cinema. When I watched Indiana Jones, I knew exactly what I wanted to do – to be an archaeologist ! And with every movie he came up, he made me fall in love with cinema a bit more.

As a critic, I can surely point out the flaws. But that’s the thing about movies like E.T.The Extra Terrestrial, you don’t give a slightest damn about them. For me, and countless others, movies like E.T. are no less than The Tree Of Life, for what we feel seems to be what we take away. I have watched E.T. countless times, and none of these times with dry eyes.

Whenever I watch E.T., I cry and I pity those who cannot love this movie. For if they cannot feel E.T., what in the world can they feel ? They have grown too old not for such movies, but seemingly for life itself. E.T. stands out as an achievement in cinema for it seems one can never to be too young to watch it, and never be too old to fall in love with it.

https://chrissturhann.blogspot.in/2017/05/announcing-summer-movie-blogathon.html?showComment=1496810819991#c1000212083715983404

The Wizard Of Oz Reviewed & Analyzed

The fact that a MGM musical is still celebrated by cinema lovers world over is an astonishing certitude. But after watching The Wizard Of Oz, I laugh in the face of the qualms I had regarding this movie before watching it. There isn’t a movie worthy enough of its position in world cinema than this adaptation of the Frank Baum classic by Victor Fleming.

I won’t get myself in the trouble of trying to explain its plot for the moment, for it’s as famous as the movie itself and so silly yet genius that I haven’t yet developed such a mastery of English language that it can be summarized by me within a paragraph.

The movie is a celebration of everything that we love about fantasies – characters reeking of innocence in a world which doesn’t. But rather than praising its beautiful and hilarious songs, the wonderful production design or the fabulous performances, I would much like to dedicate this post to why this MGM musical of 1939 still holds its ground in a world so strongly inhibited by the likes of Kubrick and Hitchcock and everyone else. And the only reason which seems to transpires before me except for the historical importance it reeks of for the use of Technicolor is the plot of the movie.

So, the movie’s central protagonist is Dorothy Gale who as you might know, unless you have been living under a rock for the entire course of your lifetime, gets transported by a cyclone to the land of Oz where she meets the Scarecrow (one who wishes for a brain), Tin Man (one who wishes for a heart) and the Cowardly Lion (one who wishes for courage). Together, they embark on the journey to Crystal Palace, to meet Oz who will fulfil all their desires. (A paragraph which seems to contradict my earlier statement about summarizing the plot of this movie in a paragraph, but believe me, reading this and thinking you now know the entirety of the plot of this movie would be to look at one brick of the Great Wall Of China and say that’s all there is to it)

The Scarecrow, Tin Man and Lion for me seem to epitome the innermost desires of Dorothy’s which seems to give the entire movie a surreal underlining which I will go into later. The Scarecrow seems to be a metaphorical representation of Dorothy’s yearning, or more better a child’s yearning, to be considered equal in his/her intelligence by the adults. In the beginning one can see how Dorothy’s family members seem to dispose of her troubles without giving it a moment’s thought, most probably giving her the idea that they consider her asinine, and thus the yearning to be intelligent.

The origin of Cowardly Lion can be traced back to when Zeke advises Dorothy to be a little brave while facing Almira Gulch. Dorothy’s reluctance to accept her consternation about Gulch seems to be the reason why the Cowardly Lion seems so unabating in making his cowardly nature so obtrusive.

Then what about the Tin Man who wishes for a heart to feel with, a quality which Dorothy seems so abound of ? I believe this is her yearning for Miss Almira Gulch, which further affirms her goodness.  Although the Wicked Witch of the West seems to be a representation of Gulch I believe it is restricted here to only her physicality and her hate for Toto. Tin Man here possesses the same yearning which Dorothy wishes came true for Gulch as well, thus making him a projection of the Gulch Dorothy wants her to be.

And about Oz itself ? It seems much to be a work of Dorothy’s subconscious rather than a parallel reality. The fact that the passage of time in the dream world is much faster than compared to the real world also explains the length of the journey as well. It seems Dorothy’s subconscious creates a world of imagination, inhibits it with characters which are reflections of her own self and introspect about her existence.

Or is this reading too much into nothing ? Is my chain of thought reminiscent of the way the adults in the movie reject the notion of Oz at the end of the movie ?

Whatever it may be, the creation of a child’s innocent subconscious or an unimaginable reality, The Wizard Of Oz is one of the most delightful movies to have ever come out and had me from that moment where Aunt Em says to Almira that ‘Miss Gulch, I now know exactly what I think about you, but I can’t say it because I am a Catholic’.

RATING :- 9.4 / 10

THANKS FOR READING. IF YOU HAVE LIKED/HAVE DIFFERENT VIEWS / HAVE ANY  DOUBTS, PLEASE SHARE. I WILL RESPOND TO IT AS SOON AS I CAN. AND PLEASE SUBSCRIBE FOR MORE. YOU CAN FOLLOW ME ON MY FACEBOOK PAGE TOO https://www.facebook.com/profile.php?id=100011549616628 YOU CAN ALSO E-MAIL ME ON castlebang786@gmail.com OR favebook2011@rediffmail.com

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Copyright : All written content on this site, unless otherwise noted, has been created by the website owner. As such, the content is the property of the website owner. This content is protected by Indian and international copyright laws. If you wish to reproduce, re-post, or display any of our content on your own site please only do so if you also provide a link back to the source page on this website and properly attribute authorship. Our preference is that you seek our permission before doing so. If you see anything on this website that has not been properly attributed to its originator please contact me. In response, I will attempt to correct the attribution of the offending material or remove and/or replace it. All material on this website is posted in accordance with the limitations set forward by the Information Technology Act, 2000. If a documented copyright owner so requests, their material will be removed from published display, although the author reserves the right to provide linkage to that material or to a source for that material. As a website devoted to discussing and reviewing movies and television I will at times, for illustrative purposes, present copyrighted material, the use of which might not always be specifically authorized by the copyright owner. Such material is made available  for purposes such as criticism, comment, and research. The website owner believes that this constitutes a “fair use” of any such copyrighted material because the articles published on this website are distributed for entertainment purposes

Stalker Review

I was recently watching one of THR’s Roundtables in which the host, Stephen Gallaway posed a very interesting question. He asked ‘If you had the chance of preserving one movie before the apocalypse, which would it be?’ I am affirmative that I would reply Andrei Tarvosky’s Stalker. It is a fantasy movie made for the people who hate fantasy movies.

One of the very few job requirements a film critic is supposed to have by default is an ebullient attitude towards movies with slow-pacing, and most of the times, it rules me out. Stalker begins on a sombre note with snail-aced long takes. But for some reason, the atmosphere of Stalker with its enigmatic music and color composition had me already spell-binded. Later, I read that I wasn’t the only one one had encountered with this quandary. Many suggested had suggested to Tarvosky that the movie should be more dynamic in nature, to which he replied ‘The film needs to be slower and duller at the start so that the viewers who walked into the wrong theatre have time to leave before the main action starts.’

But once he overcomes that starting hiccup, Tarvosky rewards his viewer with an unforgettable spectacle of visual poetry set into motion. The plot is centered around a Stalker who leads a professor and a writer through The Zone, a mysterious restricted piece of land which holds a room which is said to fulfill the innermost desires of any man who enters it. The structure of this so-called Zone deserves a movie of its own, for the roots of its existence are ground so deep in the waters of surrealism that it would put Salvador Dali to shame.

The movie more than often reminded me of Francis Ford Coppola’s Apocalypse Now which couldn’t care less about the journey which its characters undertake. Instead, it works as an anatomy of the innermost desires of its characters, revealing to us their cherished beliefs and their exploration of the meaning of life. The movie is filled to the brim with intriguing philosophical conversations which seem to give equal importance to both ends of the spectrum, acting as a catharsis for these characters, all of whom seem to be leading extremely wretched lives.

The movie questions the very nature of the existence of such a Zone and its usefulness. It forces us to introspect and delve deep within ourselves and examine our very own innermost desires. In my personal experience, it resulted in a startling revelation of what I considered myself to be and what I am as a person.

Stalker is an enigmatic and surprisingly moving motion picture which will forever remain one of cinema’s most treasured gems. They don’t make them like this anymore.

RATING :- 9.5 / 10

THANKS FOR READING. IF YOU HAVE LIKED/HAVE DIFFERENT VIEWS / HAVE ANY  DOUBTS, PLEASE SHARE. I WILL RESPOND TO IT AS SOON AS I CAN. AND PLEASE SUBSCRIBE FOR MORE. YOU CAN FOLLOW ME ON MY FACEBOOK PAGE TOO https://www.facebook.com/profile.php?id=100011549616628 YOU CAN ALSO E-MAIL ME ON castlebang786@gmail.com OR favebook2011@rediffmail.com

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Copyright : All written content on this site, unless otherwise noted, has been created by the website owner. As such, the content is the property of the website owner. This content is protected by Indian and international copyright laws. If you wish to reproduce, re-post, or display any of our content on your own site please only do so if you also provide a link back to the source page on this website and properly attribute authorship. Our preference is that you seek our permission before doing so. If you see anything on this website that has not been properly attributed to its originator please contact me. In response, I will attempt to correct the attribution of the offending material or remove and/or replace it. All material on this website is posted in accordance with the limitations set forward by the Information Technology Act, 2000. If a documented copyright owner so requests, their material will be removed from published display, although the author reserves the right to provide linkage to that material or to a source for that material. As a website devoted to discussing and reviewing movies and television I will at times, for illustrative purposes, present copyrighted material, the use of which might not always be specifically authorized by the copyright owner. Such material is made available  for purposes such as criticism, comment, and research. The website owner believes that this constitutes a “fair use” of any such copyrighted material because the articles published on this website are distributed for entertainment purposes

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Baahubali 2 – The Conclusion Review

Baahubali was a cultural standpoint in Indian cinema. In Indian cinema, full of washed up romantic musicals with old gags, the arrival of Baahubali blurred the lines of real and reel life – everyone was experiencing that same hope that the people of Mahistmati felt with the arrival of Mahendra Bahubali, the offspring of Amarendra Bahubali. The excitement for Baahubali 2 was quadrupled with the cliffhanger climax of the first installment and ‘Why did Kattapa kill Baahubali ?’ was the question hanging on everyone’s minds. And now we have the answer.

The dread that I carried in my mind since the release of the first installment unfortunately is now validated. The dread was that the sequel wouldn’t hold up. Everything about this movie is way over-the-top than it should have been, with the actions scenes reaching the limit of hilariousness. The action sequences of the first installment were original in terms of their choreography, however the ones in the second installment are repetitive, ridiculous and borrow heavily from Lord of The Rings- Two Towers.

The restraint that SS Rajamouli showed in Baahubali is completely missing in this work. The final work seems like the work of a toddler who was given all the crayons to paint a picture. Moreover, just painting characters as bound by their moral codes and drawing parallels to the epic Mahabharata so as to hide the shallowness of the central romance is just a very sleazy effort. The first installment was riveting, the second one is derisory.

Watching Baahubali 2 was seeing Murphy’s Law in action – everything that can go wrong did go wrong. But believe me, all fun is not lost. Go watch it with your friends, the ones who excel in sarcasm and rip every frame apart. Sitting alongside with me were a bunch of college kids who had bunked to watch this movie. Listening to their expletive-filled rants was the best time I had at the movies in recent memory. Unfortunately, I cannot say the same with respect to the movie. It sucked.

RATING : 4.5 / 10

THANKS FOR READING. IF YOU HAVE LIKED/HAVE DIFFERENT VIEWS / HAVE ANY  DOUBTS, PLEASE SHARE. I WILL RESPOND TO IT AS SOON AS I CAN. AND PLEASE SUBSCRIBE FOR MORE. YOU CAN FOLLOW ME ON MY FACEBOOK PAGE TOO https://www.facebook.com/profile.php?id=100011549616628 YOU CAN ALSO E-MAIL ME ON castlebang786@gmail.com OR favebook2011@rediffmail.com

Photo Rights : Google Images, Wikipedia

Copyright : All written content on this site, unless otherwise noted, has been created by the website owner. As such, the content is the property of the website owner. This content is protected by Indian and international copyright laws. If you wish to reproduce, re-post, or display any of our content on your own site please only do so if you also provide a link back to the source page on this website and properly attribute authorship. Our preference is that you seek our permission before doing so. If you see anything on this website that has not been properly attributed to its originator please contact me. In response, I will attempt to correct the attribution of the offending material or remove and/or replace it. All material on this website is posted in accordance with the limitations set forward by the Information Technology Act, 2000. If a documented copyright owner so requests, their material will be removed from published display, although the author reserves the right to provide linkage to that material or to a source for that material. As a website devoted to discussing and reviewing movies and television I will at times, for illustrative purposes, present copyrighted material, the use of which might not always be specifically authorized by the copyright owner. Such material is made available  for purposes such as criticism, comment, and research. The website owner believes that this constitutes a “fair use” of any such copyrighted material because the articles published on this website are distributed for entertainment purposes.

Groundhog Day Review

One of the constant pursuits of man, throughout the ages, has been looking for a way out of the rut and the monotony of life. And after thousands of years of pondering over this great question we, the most intelligent of all species seem to have finally concluded with the answer, heck, we cannot.

Groundhog Day on the other hand breathes in fresh air with the question it ponders upon: is our life really monotonous? Phil (Bill Murray) is stuck in a day, the famous Groundhog Day. Every day he wakes up to the same people, same events.

There are roles that feel tailored only for certain actors. Whatever role Murray plays, it always feels like it. Bill Murray is without a doubt one of the greatest actors of all time. He has unparalleled comic timing and reeks of innocence. It is one of those movies where you feel to send fan mail to the casting director, for if anyone but Murray had played it, Groundhog Day would have felt like a morose existential drama.

Yet, here it is, one of the funniest movies you will ever watch. Everyone would be hell excited to watch this movie when they get to know the premise. It is one of the most original ones in cinema, yet once it starts, there is no denying, there will be serious doubts in your mind whether this experiment will falter. You are basically watching the same day 20 times or more! But, never fret.

Harold Ramis takes a great idea and converts it into a masterpiece. It appeals both to the mind and the heart. Most of the time, comedies do

not come into the consideration of the ‘serious critics’ for they consider them, for some banal reason, not artworks. Groundhog Day is a fist in the face of that. It is a downright comedy with one of the most intelligent plots of all time.

It leaves us with a beautiful message: Live every day of your life like there is no tomorrow, like literally there is no tomorrow. Life it in a way as if you wouldn’t mind being stuck in that day for the rest of your life.

Groundhog Day is an original, complex and hilarious movie, which stays with you long after it ended. Without a doubt, a must watch.

RATING : 9.4 / 10

THANKS FOR READING. IF YOU HAVE LIKED/HAVE DIFFERENT VIEWS / HAVE ANY  DOUBTS, PLEASE SHARE. I WILL RESPOND TO IT AS SOON AS I CAN. AND PLEASE SUBSCRIBE FOR MORE. YOU CAN FOLLOW ME ON MY FACEBOOK PAGE TOO https://www.facebook.com/profile.php?id=100011549616628 YOU CAN ALSO E-MAIL ME ON castlebang786@gmail.com OR favebook2011@rediffmail.com

Photo Rights : Google Images, Wikipedia

Copyright : All written content on this site, unless otherwise noted, has been created by the website owner. As such, the content is the property of the website owner. This content is protected by Indian and international copyright laws. If you wish to reproduce, re-post, or display any of our content on your own site please only do so if you also provide a link back to the source page on this website and properly attribute authorship. Our preference is that you seek our permission before doing so. If you see anything on this website that has not been properly attributed to its originator please contact me. In response, I will attempt to correct the attribution of the offending material or remove and/or replace it. All material on this website is posted in accordance with the limitations set forward by the Information Technology Act, 2000. If a documented copyright owner so requests, their material will be removed from published display, although the author reserves the right to provide linkage to that material or to a source for that material. As a website devoted to discussing and reviewing movies and television I will at times, for illustrative purposes, present copyrighted material, the use of which might not always be specifically authorized by the copyright owner. Such material is made available  for purposes such as criticism, comment, and research. The website owner believes that this constitutes a “fair use” of any such copyrighted material because the articles published on this website are distributed for entertainment purposes.

It’s A Wonderful Life Review

You see, George, you’ve really had a wonderful life. Don’t you see what a mistake it would be to throw it away?Clarence Oddboy

A few days ago, a girl, who I considered my best friend, ended our friendship in an impromptu manner after ignoring me for a few days. I still don’t have a single clue why, but this situation left me completely shook. I have (or had in this case) a small group of friends and I am emotionally attached to them on an unfathomable level and all of them are, one-by-one, terminating our companionship. It had me depressed and thinking about my existence. Was I ever wanted ? Would it have even mattered if I hadn’t been born?

The hero of the story in Frank Capra’s It’s A Wonderful Life, George Bailey (James Stewart) is going through sort of a similar dilemma. He wonders if everyone would have been off better if he hadn’t been born. And there comes in Clarence Oddboy (Henry Travers) his guardian angel and shows him how the world would have been like if he hadn’t been born.

Some movies, and rarely does this happen I may assert, slowly but gradually creep into our lives. They have a humongous influence on our lives, even though we don’t admit it. There have been only few movies that have survived this test of time though, like Casablanca, 12 Angry Men, Best Years Of Our Lives, Anatomy Of A  Murder, Tokyo Story and some more. I don’t think Citizen Kane belongs in these ranks. And before you ostracize me from the criticism fraternity for proclaiming the so-called greatest movie of all time from the ranks of a classic, let me explain my viewpoint.

I watched Citizen Kane a few days ago. Did I like it? Yes, I did. A few days after watching the movie, a friend approached me and asked if I could watch Citizen Kane with him. My reply was, “Oh, it’s a black and white movie ! Got Vertigo or something? ” I realize, if my friend had asked me to watch It’s A Wonderful Life, I would have jumped at the opportunity like a beggar jumps at a dime. Great movies transcend the boundaries of black-and-white and 35mm and everything else. They inhibit a spot where they become like vine. The longer you keep, the more it becomes better.

James Stewart is stellar here. What a great actor this man is ! One of the most genuinely controlled and heartbreaking and endearing performances of all times is this offering from Stewart. Donna Reed is heartbreaking here on her debut film. Okay, ever actor is fabulous, breath-taking, amazing, awesome, stunning, astounding, astonishing, awe-inspiring, stupendous, great,…. You get what I mean !

The power of this movie is resolute as it was. I was numbed after watching this flick. I was in a pretty dark place, but this one got me out. I owe this movie. I love this movie. I I had a chance to watch a movie every single day of my life, I think I would chose Moneyball, The Shawshank Redemption and it’s A Wonderful Life. These are the movies which make me realize why I love movies. Movies are the greatest art-form of all time. Why ? Because I don’t think ever will a painting, a dance, a song would ever make me fall in love with live again. Pardon, ever make me fall in love with myself again. At the end of this movie, I was sobbing inconsolably and laughing uncontrollably. The tears were of joy. I loved life all over again. I realized that my life matters as much as it can and I think those who can comprehend that, only deserve to be my friends. When you might feel this is the end of the rope, please watch this movie, because I will if I feel like that. There is nothing more inspiring or beautiful than this movie. The last time I felt like this after watching a movie was when I watched The Shawshank Redemption. Yeah, this one’s up that ranks. Is it a wonderful life ? Well, why wouldn’t it be if we have movies like these, my dear friend, why wouldn’t it be?

Rating : 9.9/10

THANKS FOR READING. IF YOU HAVE LIKED/HAVE DIFFERENT VIEWS / HAVE ANY  DOUBTS, PLEASE SHARE. I WILL RESPOND TO IT AS SOON AS I CAN. AND PLEASE SUBSCRIBE FOR MORE. YOU CAN FOLLOW ME ON MY FACEBOOK PAGE TOOhttps://www.facebook.com/pages/Demanded-Critical-Reviews/1565666967024477?ref=hlYOU CAN ALSO E-MAIL ME ON castlebang786@gmail.com OR favebook2011@rediffmail.com

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Copyright : All written content on this site, unless otherwise noted, has been created by the website owner. As such, the content is the property of the website owner. This content is protected by Indian and international copyright laws. If you wish to reproduce, re-post, or display any of our content on your own site please only do so if you also provide a link back to the source page on this website and properly attribute authorship. Our preference is that you seek our permission before doing so. If you see anything on this website that has not been properly attributed to its originator please contact me. In response, I will attempt to correct the attribution of the offending material or remove and/or replace it. All material on this website is posted in accordance with the limitations set forward by the Information Technology Act, 2000. If a documented copyright owner so requests, their material will be removed from published display, although the author reserves the right to provide linkage to that material or to a source for that material. As a website devoted to discussing and reviewing movies and television I will at times, for illustrative purposes, present copyrighted material, the use of which might not always be specifically authorized by the copyright owner. Such material is made available  for purposes such as criticism, comment, and research. The website owner believes that this constitutes a “fair use” of any such copyrighted material because the articles published on this website are distributed for entertainment purposes