Synecdoche New York Review

Synecdoche New York is a movie about movies, but not in the conventional sense. Its affairs do not concern themselves with scrutinizing the method of crafting a narrative, but rather the intentions behind doing so.

What is it to have a true cinematic experience ? I believe it is the singularity of emotions an audience coming from different paths of life experiences when watching a movie. A person feeling the same joy, same sadness, same intrigue as the one sitting next to him. In Synecdoche New York, what Kaufman does is create a world where characters morph into each other every passing scene and subject themselves to desolation of the others, scrutinizing how we as a species react in a state of singularity to same events. But its vision is not limited to the confines of the screen. This movie rather plays outside it. It makes us aware of the actors we are in our perceived reality constructing our own worlds with our own actions while seemingly attributing it to preconceived destiny.

As all great movies made about life are, essentially what defines Synecdoche New York is a quest for a meaning to one’s existence. What Kaufman says is melancholic, but harshly true and beautiful like the poem about spring that opens this movie. Our quest seems to be for a permanent meaning, yet we ourselves change every passing day. All our previous selves survive inside us somehow, and each of them have ascertained themselves with different meanings. Our folly is we yearn for a permanent meaning for our multiple selves, eventually subjecting ourselves to believe in a nihilistic mindset, missing the bigger picture.

As most of Charlie Kaufman’s work has been, Synecdoche New York is a comedy as well. It’s just that it doesn’t rely on gags and one-liners to crack the audience up. Rather it is the irony that even after having every disease imaginable, Caden outlives almost everyone and that this movie begins and ends at 7:45. Does that say something about why it is so convoluted and abstract ? If you look a bit closer at the absurdity of the events, I believe it surely does.

For better or worse, this is a movie about everything. It charters life from the point where thought originates in an individual and subjects the viewer to a downright depressing or hilarious ride, varying on whether you are all worked up when it ends or you have an ironic smile when it does, respectively.

The first time I watched Synecdoche New York, it felt incomplete to me. The second time I realized it was to be completed by my own inadequacies and fears. There are bad movies, passable movies, good movies, excellent movies and great movies. And once in a blue moon, there are movies like Synecdoche New York. These are movies which you feel you can’t tell people about, movies that are so special and so yours that advertising your affection feels like a betrayal. It sure isn’t the greatest movie ever made or anything, but Synecdoche New York is my movie, just as my body is my body and my thoughts are my thoughts. The day I find someone worth recommending it, my God, that would be the day.

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Anomalisa Review

Charlie Kauffman is one of those rare gems still making movies that make a case for cinema being the greatest of all art forms. His latest feature Anomalisa is another addition to his esteemed work. It is an animated feature, but is more realistic than most of the dramas I have seen throughout my lifetime.

Micheal is an inspirational speaker who is tired of his mundane existence. Everyone he meets looks and sounds the same. Change ushers in with a chance encounter with Lisa, a lively woman.

This is probably the funniest movie Charlie Kauffman has ever written, and yes, most of the fun comes from the fact that everyone in this complex tale of human existence and loneliness is a puppet. There is extremely witty one-liners. Take for example the letter Micheal reads in the beginning from his ex-girlfriend ‘Dear Micheal, fuck you. How could you just leave after all that fucking fucking ?‘. That is real humor, which springs at you spontaneously and leaves you spellbound with its wit as well as intelligence.

The animation featured is not as a gimmick. Although I believe it is used primarily for the narrative purposes since most of the characters have the same face, it helps in treating this as a true love story. Take the love-making scene which would have otherwise just have been plain erotic if it had been done with live actors. Animation brings a humor and an odd cuteness to it.

The script, as expected is weirder than expected. One of the most mind-blowing scene features Micheal being called to meet the manager of the hotel. Forget the hilarious dialogues, rarely have I laughed so much at the production design. It is a masterstroke of genius.

Anomalisa has an abstract plot of sorts, and I would be lying if I say I comprehended it all. But, I comprehended enough to know what was going on and care deeply about these characters. And that was more than enough for me. I fell in love with this movie.

RATING : 9.3 / 10

THANKS FOR READING. IF YOU HAVE LIKED/HAVE DIFFERENT VIEWS / HAVE ANY  DOUBTS, PLEASE SHARE. I WILL RESPOND TO IT AS SOON AS I CAN. AND PLEASE SUBSCRIBE FOR MORE. YOU CAN FOLLOW ME ON MY FACEBOOK PAGE TOO https://www.facebook.com/profile.php?id=100011549616628 YOU CAN ALSO E-MAIL ME ON castlebang786@gmail.com OR favebook2011@rediffmail.com

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Copyright : All written content on this site, unless otherwise noted, has been created by the website owner. As such, the content is the property of the website owner. This content is protected by Indian and international copyright laws. If you wish to reproduce, re-post, or display any of our content on your own site please only do so if you also provide a link back to the source page on this website and properly attribute authorship. Our preference is that you seek our permission before doing so. If you see anything on this website that has not been properly attributed to its originator please contact me. In response, I will attempt to correct the attribution of the offending material or remove and/or replace it. All material on this website is posted in accordance with the limitations set forward by the Information Technology Act, 2000. If a documented copyright owner so requests, their material will be removed from published display, although the author reserves the right to provide linkage to that material or to a source for that material. As a website devoted to discussing and reviewing movies and television I will at times, for illustrative purposes, present copyrighted material, the use of which might not always be specifically authorized by the copyright owner. Such material is made available  for purposes such as criticism, comment, and research. The website owner believes that this constitutes a “fair use” of any such copyrighted material because the articles published on this website are distributed for entertainment purposes.