The Pianist Review

The Pianist is probably the best movie ever made about the Holocaust. And to those who came in late, I have said from time to time that Schindler’s List is the greatest movie ever made. Before you jump to conclusions, I still say that Schindler’s List is the greatest movie ever made because the way I look at it, it was a drama with Holocaust as the layout. The Pianist on the other hand is about the Holocaust with a drama as the layout.

It is the true tale of Wladyslaw Szpilman, a pianist who did survive through the hells of World War II. He is portrayed by Adrien Brody, who breathes life into this character as no one could have. His portrayal is one of the best cine history holds witness to, and when I learned that he is the youngest actor (29) to win the Academy Award for Best Actor, believe me, I reckon I was the least surprised man on Earth.

Director Roman Polanski, who has gifted us with gems like Rosemary’s Baby and Chinatown, has himself endured the horrors of Holocaust. The plot by Ronald Harwood is meticulously crafted so as to accommodate the characters within replete Nazi brutality without over-doing it. However, Polanski never creates scenarios so as to just showcase the horrors, they instead work hand-in-hand with character movements.

it is a difficult movie to watch, one of the few where I has to turn my eyes away from the screen (the torture scene in Syriana was the only other time). And that is where its greatness lies. It makes us look back and endure the brutality for we come to care deeply about Szpilman. The cinematography of Pawel Edelman is stupendous. If you notice, you can see how he drains the colour gradually as the movie progresses so as to illustrate the enhancing darkness.

The Pianist is about hope and humanity surviving in the midst of all evil, and is truly an inspiring movie which makes sure that there won’t be a single dry eye in the house by the time the screen fades.

RATING : 9.5 / 10 

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Copyright : All written content on this site, unless otherwise noted, has been created by the website owner. As such, the content is the property of the website owner. This content is protected by Indian and international copyright laws. If you wish to reproduce, re-post, or display any of our content on your own site please only do so if you also provide a link back to the source page on this website and properly attribute authorship. Our preference is that you seek our permission before doing so. If you see anything on this website that has not been properly attributed to its originator please contact me. In response, I will attempt to correct the attribution of the offending material or remove and/or replace it. All material on this website is posted in accordance with the limitations set forward by the Information Technology Act, 2000. If a documented copyright owner so requests, their material will be removed from published display, although the author reserves the right to provide linkage to that material or to a source for that material. As a website devoted to discussing and reviewing movies and television I will at times, for illustrative purposes, present copyrighted material, the use of which might not always be specifically authorized by the copyright owner. Such material is made available  for purposes such as criticism, comment, and research. The website owner believes that this constitutes a “fair use” of any such copyrighted material because the articles published on this website are distributed for entertainment purposes.

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The Conversation Review

On the outer side, Francis Ford Coppola’s The Conversation looks like a nerve-wracking thriller, but the truth is, it is not about the plot as much as it is about the character. It is common to be mistaken by this fact and then be disappointed about this movie, because it creates an environment where it does actively pursue the plot. But all it is about is a character pursuing his innermost fears in an out-of-proportion blown morality crisis. The thrilling stuff is just the backdrop of it all.

The man at the center stage is Harry Caul, played by Gene Hackman, who is a professional surveillance expert. He maintains a neutral status about his line of work, for he believes that whatever the tapes he has recorded amount to, he has no responsibility.Until a case pops up where he develops a concern for the two individuals in question and things start going haywire.

Now when I say things start going haywire, it also, and mainly concerns his personal life. This is a character of so many layers and the movie explores the nature of his personality by using the moral crisis. The real mystery is not the plot, it is the character.

The plot on the other hand delves into the ethics of the world of surveillance. It attempts to open the doors of closed rooms  that we are so often thrilled and petrified of. And this is one of the few movies (Ace In The Hole is the only other one I recount) in which the theme explored holds relevance to the modern time rather than the one in which it was made and to more horror, I think instead of waning, this relevance is bound to enhance.

The movie encapsulates the master storytelling ability of Coppola with eerie silence used to generate paramount fear to best effect. Coppola transcends Hitchcock’s ability to explore obsessions, and let’s just say, that Palme D’Or was rightfully deserved.

The Conversation is one of the most engaging thrillers ever made, for it manages to create thrills out of the most inexplicable elements of cinema – emotions. And whether you like it or not, believe me, after watching this movie, there will be an irregular check of the sides of your telephone or the curtains. Just in case….

Rating : 9.2 / 10

THANKS FOR READING. IF YOU HAVE LIKED/HAVE DIFFERENT VIEWS / HAVE ANY  DOUBTS, PLEASE SHARE. I WILL RESPOND TO IT AS SOON AS I CAN. AND PLEASE SUBSCRIBE FOR MORE. YOU CAN FOLLOW ME ON MY FACEBOOK PAGE TOOhttps://www.facebook.com/pages/Demanded-Critical-Reviews/1565666967024477?ref=hlYOU CAN ALSO E-MAIL ME ON castlebang786@gmail.com OR favebook2011@rediffmail.com

Photo Rights : Google Images, Wikipedia

Copyright : All written content on this site, unless otherwise noted, has been created by the website owner. As such, the content is the property of the website owner. This content is protected by Indian and international copyright laws. If you wish to reproduce, re-post, or display any of our content on your own site please only do so if you also provide a link back to the source page on this website and properly attribute authorship. Our preference is that you seek our permission before doing so. If you see anything on this website that has not been properly attributed to its originator please contact me. In response, I will attempt to correct the attribution of the offending material or remove and/or replace it. All material on this website is posted in accordance with the limitations set forward by the Information Technology Act, 2000. If a documented copyright owner so requests, their material will be removed from published display, although the author reserves the right to provide linkage to that material or to a source for that material. As a website devoted to discussing and reviewing movies and television I will at times, for illustrative purposes, present copyrighted material, the use of which might not always be specifically authorized by the copyright owner. Such material is made available  for purposes such as criticism, comment, and research. The website owner believes that this constitutes a “fair use” of any such copyrighted material because the articles published on this website are distributed for entertainment purposes.